This paper examines the theme of collective speech in Katharine Burdekin's novels, connecting it to liturgical debates and the political dimensions of her work. It argues that Burdekin's portrayal of collective speech, particularly in Swastika Night, reflects anxieties about political manipulation and the suppression of individual voices, while also suggesting the potential for resistance through alternative forms of collective expression.

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This paper offers a compelling analysis of collective speech through the lens of Katharine Burdekin's fiction. The historical and religious context provided enriches the understanding of Burdekin's works and their engagement with liturgical debates. While the focus on a single author and the reliance on textual analysis present limitations, the paper's insightful exploration of collective speech in different contexts warrants a strong rating.